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"NAKED WOMAN"
"WANITA TELANJANG"
Painter: Mozes Misdy (Oil On Canvas)
Year: 1990
Dimension: 80 x 70 Cm
Price (Call Us)
Community Banyuwangi, East Java, and even Indonesia, welcomed the establishment of viable Mozes Misdy's Museum & Art Gallery in 2000 m2 of land in Jalan Gatot Subroto 110, Ketapang, Banyuwangi.
Because, in the midst of human keterjebakan Indonesia in the political wilderness and ketersesatan many families in economic hassles, the art can be used as one of the vents. Even the complicated breath gelagapan nation is relieved by looking at the artwork. Therefore, art is a form of catharsis as well as fishing flood of feeling, in the words of American thinkers Doroty Parker.
Construction of the building as a combination museum and gallery into something specific. Mozes hopes on the future of museums and galleries find clearer shape in order to develop the role.
The museum will keep Mozes works. The gallery he functioned as a permanent exhibition arena with activities that can not be separated from the sale.
Existence
As a painter who ate sour salt, Mozes stated painter and his paintings are an existence. History with a set of paradigm will explore the depths of existence and can be seen from the realm of mind manifested through paintings.
Of logic it is also visible aura of the artist's aesthetic was born. There are painters who could produce exceptional aesthetic aura. Because he was in the area's history, including macro. But instead there was a painter who is able to bring an aura of casual aesthetic. Because he is only living in the area of micro history. Even so, they both have an important role in the dynamics of art.
Mozes including figure idealistic painter that can transcend the laws of natural selection through creativity with microhistory, until its existence was through the history of the macro.
'' But I personally never question who I am as an artist with all his ubarampe. Who am I? Have reached where I am traveling? For me it all does not matter, unless the work continues that makes me happy. Because, for me painting share happiness. So people or collectors who buy my paintings the same as buying soul's happiness,'' said Mozes, who plans to hold a solo exhibition the week 10 to 17 August, 2002 at Hotel Ciputra Semarang, which brought forward to 22 to 29 July 2002.
'' Implementation of the exhibition was brought forward because it was in my agenda, mid-August should be in Jakarta. Among other things with relation to rembukan art in the city,'' said Mozes. He admitted almost forgot counsel agreed with the relation.
He had dozens of times a single exhibition in various cities in Indonesia. Among others, Medan, Surabaya, Jakarta, Bandung and Semarang. Several times he exhibited abroad. Namely, Canada, Australia, Malaysia, and Thailand.
'' Once again, I painted it for happiness, the pure satisfaction of the soul, not the profit-loss,'' he said.
"WANITA TELANJANG"
Painter: Mozes Misdy (Oil On Canvas)
Year: 1990
Dimension: 80 x 70 Cm
Price (Call Us)
About the artists
Mozes Misdy
Moses Misdy was born on December 14, 1941 at Gambiran village on
the Island of Java. Moses Misdy is quoted at saying “Painting
makes me happy. I consider the skill required to paint as a gift
from God. It is not only my way of life it is my duty to God”
With a set of determination and talent he had solidified existence. Through creed, museums, and art galleries painting in Banyuwangi, inaugurated 21 April 2001, the public can read the traces of its long history.
With a set of determination and talent he had solidified existence. Through creed, museums, and art galleries painting in Banyuwangi, inaugurated 21 April 2001, the public can read the traces of its long history.
Community Banyuwangi, East Java, and even Indonesia, welcomed the establishment of viable Mozes Misdy's Museum & Art Gallery in 2000 m2 of land in Jalan Gatot Subroto 110, Ketapang, Banyuwangi.
Because, in the midst of human keterjebakan Indonesia in the political wilderness and ketersesatan many families in economic hassles, the art can be used as one of the vents. Even the complicated breath gelagapan nation is relieved by looking at the artwork. Therefore, art is a form of catharsis as well as fishing flood of feeling, in the words of American thinkers Doroty Parker.
Construction of the building as a combination museum and gallery into something specific. Mozes hopes on the future of museums and galleries find clearer shape in order to develop the role.
The museum will keep Mozes works. The gallery he functioned as a permanent exhibition arena with activities that can not be separated from the sale.
Existence
As a painter who ate sour salt, Mozes stated painter and his paintings are an existence. History with a set of paradigm will explore the depths of existence and can be seen from the realm of mind manifested through paintings.
Of logic it is also visible aura of the artist's aesthetic was born. There are painters who could produce exceptional aesthetic aura. Because he was in the area's history, including macro. But instead there was a painter who is able to bring an aura of casual aesthetic. Because he is only living in the area of micro history. Even so, they both have an important role in the dynamics of art.
Mozes including figure idealistic painter that can transcend the laws of natural selection through creativity with microhistory, until its existence was through the history of the macro.
'' But I personally never question who I am as an artist with all his ubarampe. Who am I? Have reached where I am traveling? For me it all does not matter, unless the work continues that makes me happy. Because, for me painting share happiness. So people or collectors who buy my paintings the same as buying soul's happiness,'' said Mozes, who plans to hold a solo exhibition the week 10 to 17 August, 2002 at Hotel Ciputra Semarang, which brought forward to 22 to 29 July 2002.
'' Implementation of the exhibition was brought forward because it was in my agenda, mid-August should be in Jakarta. Among other things with relation to rembukan art in the city,'' said Mozes. He admitted almost forgot counsel agreed with the relation.
He had dozens of times a single exhibition in various cities in Indonesia. Among others, Medan, Surabaya, Jakarta, Bandung and Semarang. Several times he exhibited abroad. Namely, Canada, Australia, Malaysia, and Thailand.
'' Once again, I painted it for happiness, the pure satisfaction of the soul, not the profit-loss,'' he said.
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